IVANA SAJKO PDF

Year Ivana Sajko is considered one of the leading voices of the Southern Eastern European theater scene and has long been an important guest at international theater festivals. Thereafter, she worked to renew and further develop contemporary theater in her role as co-founder of the performance collective BadCompany based in Zagreb, where she served as dramaturg and director from to Beginning in , she chose to only stage her own award-winning dramas. Since then, in her hybrid stagings she has explored the relationship between dramatic text and its execution on stage; she probes the possibilities of art and its ability to develop an adequate contemporary aesthetic of resistance that ventures into the space of reality, and into the body of reality, into the body of every individual. In other words: How can we break through the membrane that envelops theater, in order to create an individual act of agency from the conventional act of speaking, an act of agency that moves others, both on a physical and personal level? To abandon the prescribed role and allow yourself to embrace real interaction, instead of focusing on results?

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The main characters are an unsuccessful young artist couple, a child, an apartment, a neighbor and a whole country out of joint. With a few well-aimed strokes, Ivana Sajko draws a thoroughly political tableau and brings the world into the chamber-play narrative space of her novel. What happens in Croatia could happen anywhere. Under the surface, this love story, which is also about falling out of love, is about the power and impotence of the individual in our globalized present.

Alida Bremer, the important mediator of Croatian literature in German, has found a captivating language for her. She studied dramaturgy and philosophy in Zagreb. Sajko is a co-founder of the theater group BAD co. With her critical and political writing, she is regarded as a reviver of Southeast European theater and Croatian literature. She lives and works in Berlin. She is one of the primary mediators of Croatian literature in German. She has published many books and anthologies of Croatian authors and subject matter.

Her novel Olivas Garten appeared in

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Zulkill Rights Available — English speaking territory asjko Please contact: The unusual roles showcase his enormous talent. In our club is always a good atmosphere and there is no quarrel. History of My Family From till and beyond. How can we break through the membrane that envelops theater, in order to create an individual act of agency from the conventional act of speaking, an act of agency that moves others, both on a physical and personal level? By continuing the review, you agree to our Terms of Use and agree to the use of cookies I agree. You can find more information in our data protection declaration. Often someone brings and cakes so we like to come to meetings and representatives of others Since then, in her hybrid stagings she has explored the relationship between dramatic text and its execution on stage; she probes the possibilities of art and its ability to develop an adequate contemporary aesthetic of resistance that ventures into the space of reality, and into the body of reality, into the body of every individual.

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